Director VijayPrasad Sidlingu First movie, showed the film with his strength in extraordinary dialogues and beautiful narration.

Film has great songs assembled with romantic drama, which features Ramya in diffrent role this time. And Suman Ranganthan played another role in this film..(Its like "2 computer 1 mouse" in this film)

Director Point Sidlingu's is one of the qualities has to be discussed here, as it is the highlight of his character in the movie. He is as straightforward as you think when he tells Andalamma that he likes her chest, when the lecturer asks him what he loves in her. You may call him a dirty or a plain-hearted man that really does not matter because he is loved by the people for his straight talks. However, the car factor plays a crucial part throughout the story. In fact, it is the element which leads the tale forward. The remaining part of the story tells about, from whom he buys the car and what happens after owning it, which should be seen on-screen.

And in first half of the film..Director has shown sidlingu from his child to yogi,The audience will be obviously surprised to see Yogish in such a subject, hitch is neither a mass film nor a class outing. In fact, it has the content of both the categories that leaves the audience whether it is targeted at the first bench cine-goers or the family audience.

yogi has done great work and he shines with his natural way of delivering dialogues. The actor's dances and body language are also good.

Ramya looks simple yet brings out a required natural factor to her character. Without much make-up, the Golden Girl impresses the audience. Suman Ranganathan, who is an ever green actress, justifies her character in her very limited role. The remaining cast like Television actor Sridhar in the role of Asadulla Baig has given best performance ,KP Sridhar, Girija Lokesh and Achyuth Kumar are good.

Technically, Different Danny's stunts, though there are only two fights, are praise worthy. Sugnan's cinematography is excellent and Anoop Seelin's three songs like 'Chombo chombu...', 'Ellello oduva manase...', and 'Achachhu beladachhu...', are wonderful. Especially, the background score in the first half should be applauded.

On the flip side, after keeping the momentum in the story throughout, the director seems to have lost control in the climax. The final part is not convincing and he has wrapped it up in a hurry.

Other positive of the film is that the bold dialogues would be an touchable part for a section of the audience. (Naanu sooji, Madam daara... Innu holige haakilla)